Swaying and dancing to a hypnotic tune, Kokopelli abandons himself to the rhythms of his music. His long hair blows in the breeze as he pipes a plaintive melody on his flute. J. Blas sculpts the legendary deity in elaborate detail. He first cuts metal sheets and hammers them into three-dimensional shape. Welded together, they are adorned with airy cut-out work and finished with lead-free paint. Kokopelli dates back to pre-historic times; regarded as a deity, he is usually depicted with a humped back, playing a flute. Ancient legends suggest Kokopelli was a Toltec trader who traveled from central Mexico to the United States' southwestern deserts and mountains, where he is featured in the form of rock art dating thousands of years. Kokopelli played his flute to announce his arrival and according to Pueblo legends, he carried seeds, babies and blankets in his hump which he offered to the maidens he seduced. To the Hopi, Kokopelli plays his flute to draw heat from the Earth and thus make the seeds grow. His name derives from Koko ("wood") and pilau ("hump"). Kokopelli is believed to be present whenever life comes forth from seed ? plant or animal.
30 cm W x 48 cm H
11.75" W x 19" H
THIS PRODUCT IS ARTISAN-MADE
ARTIST: J. Blas
"Hello. My name is J. Blas. From the time I was small I have enjoyed arts and crafts. I loved to dig and prepare clay to make my own pieces and from that time on I began to experiment with ceramics. When I was 17, I started my own ceramic workshop because I hate to ask anyone for work – I feel shy and ashamed. Due to my lack of experience, I had to shut it down and went to work in other studios as well as in a ceramics museum, where I learned everything – from how to look for clay to crafting techniques.
"Over time, I learned more and more and became aware of the critical stages that clay has, and where it is good to depend on other people to work it perfectly. And so I changed directions and began to work in wrought iron and blown glass. When things began to get better, I started to experiment with sheets of iron of different weights to give my works more movement.
"Currently I again have my own workshop where we craft a variety of products, mostly decorative. We cut the metal sheets and hammer them into shape. Then we weld them and add the details. For a clean appearance, we submerge them in an acid bath to remove grease and carbon. After that, they are treated to retard rust before we paint them with a special, lead-free paint.
"We are the first workshop in the area to utilize a fine blowtorch as a work tool and to give more originality to our products. Every piece created at my workshop goes hand in hand with originality, design and quality. We are always developing new designs and products."
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34 - 36
38 - 40
42 - 44
46 - 48
28 - 30
32 - 34
36 - 38
40 - 42
14 - 14.5
15 - 15.5
16 - 16.5
17 - 17.5
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Take your measurements with the tape measure over your under garments. If your measurements fall between sizes you may prefer the next larger size. Inseam, skirt and dress lengths vary by style and will be listed in the item description. Our sweaters are knit in standard American sizes, however actual measurements vary by style.
BUST / CHEST
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Measure around the body approximately 1.5" below the natural waist (above). This is the area where most pants and skirts actually fit.
Standing with your heels together, measure around the fullest part of the body approx 7"-8" below the waist.
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Bend elbow slightly and starting at the center back of the neck, measure across the shoulder, to the elbow and down to the wrist.
Our standard inseam length for women is 32" and 34" for men; however inseam measurements will vary slightly by style.
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